NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904
NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904

NEPHRITE, ENAMEL AND SILVER MONKEY CANE HANDLE HOUSE OF FABERGÉ, JULIUS RAPPOPORT, ST PETERSBURG, 1899–1904

ID-ANTQ-3761
12500 EUR
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A rare angular cane handle, created in St Petersburg between 1899 and 1904 in the workshop of the Imperial Court supplier, the House of Fabergé. The piece was crafted by one of the firm’s leading masters — Julius Rappoport, renowned for his virtuosity in silver casting and chasing.The handle is made of deep green nephrite and adorned with a sculpted and chased silver monkey figure embracing the stone. The sculptural composition is highly detailed: the fur is rendered with expressive plasticity, and the facial features are vivid and naturalistic. The eyes are set with cabochon-cut rubies.The lower section is decorated with guilloché red enamel over silver, bordered by chased laurel leaves. A concealed screw mechanism allows secure attachment to the cane. Its angular form is characteristic of early 20th-century luxury accessories.

Marks: K. Fabergé beneath the Imperial warrant, Latin initials I.P. (for Julius Rappoport), 88 silver standard, St Petersburg assay mark (1899–1904)

Dimensions: Height — 9.5 cm; Length — 8.2 cm

Provenance: Private European collection

Art:
russia
Height:
9.5 cm
Width:
8.2 cm
Depth:
2 cm
Period:
At the turn of 19th -20th century
Style:
Neoclassicism
Country:
Royal Russia
Material:
Silver 88, Guilloche enamel, Nephritis
Condition:
Revive
Fair
Good
Very good
Like new
This cane handle, produced at the turn of the 20th century in the Fabergé workshop, is a rare synthesis of decorative and sculptural art in functional design. During this period, Fabergé expanded its output beyond jewelry into luxurious objects of daily use — including cane handles, cigarette cases, and miniature sculptures — all crafted from precious materials.

Julius Rappoport, the firms head silversmith, was known for his expressive modeling and technical excellence. The depiction of a monkey — a rare motif in Russian decorative arts — embodies playfulness, intelligence, and keen observation. The ruby-set eyes and finely chased fur give the figure a lifelike, almost portrait-like quality.

Nephrite not only adds mass and symbolism but also reflects the contemporary fascination with Eastern materials and Sino-Russian aesthetic fusion. The red guilloché enamel is a hallmark of Fabergé’s technical mastery, providing depth and brilliance. Every detail, from ornamental borders to the hidden mechanism, reflects meticulous craftsmanship.

Today, Rappoport’s works are held in the Hermitage Museum, the Fabergé Museum in St Petersburg, the Victoria and Albert Museum in London, and major private collections. This handle is a superb example of Fabergé’s late-Imperial aesthetic and functional refinement.

In exceptional collector’s condition. No restorations. Enamel and chasing are well preserved. Clear marks. Stone and fittings intact. Screw mechanism operates perfectly.

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Faberge (1872–1917)
FabergeFrance is considered to be the birthplace of the Faberge family. In 1800, Pierre Faberges grandfather Carl Faberge moved to Pernau, in Livonia (the Russian province of the Baltic), where he received Russian citizenship. In the following years, the son of Pierre Faberge, Gustav Faberge, an ambitious young jeweler, decided to move to St. Petersburg where he continued to engage in jewelry On May 30, 1846, Carl Faberge was born into the Faberge family, at that moment his father was already heading a successful business in which several craftsmen from Northern Europe and Germany worked. At the age of 18, Carl Faberge travels to Europe to learn jewelry craft from the best professionals of that time. Throughout his stay, he explores the decorative arts created by his predecessors, imbued with new ideas that will fuel him for the rest of his career. In 1872, Carl Faberge returned to St. Petersburg and joined his fathers business. In 1882, after the death of Gustav Faberge, Karl took over the management of the company. In a short time, Karl surpasses the achievements of his own father: in the same year he receives the official title of master of jewelry, and the exhibition in Moscow leads to the fact that the Emperor Alexander III notices Faberges talent, who soon elevates to the rank of court jeweler. At this time, Faberge received his first order from the monarch: the emperor orders Easter gift for his wife, Maria Feodorovna, an original gift of a piece of jewelry and of art - an Easter egg, which became the beginning of a series of Faberge Easter eggs that imperial family ordered yearly. The Empress was so fascinated by the gift that Fabergé was turned into a court jeweler, he received an order to make an egg every Easter ; the product had to be unique and contain some kind of surprise, that was the only condition. The next emperor, Nicholas II, kept this tradition, each spring giving, two eggs as a gift - one to Maria Feodorovna, his widowed mother, and the second to Alexandra Feodorovna, the new empress. The production of each egg took almost a year. As soon as the sketch was approved, a whole team of the firms jewelers took over the work, the names of some of them survived. The contribution of the master Mikhail Perkhin is especially great. Also important jewelers were August Holstrom, Henryk Wigstrom, Eric Collin. The series of imperial eggs had such fame and success that the Fabergé company made several products for private customers (15 are known). Among them, a series of seven eggs, presented by the gold miner Alexander Ferdinandovich Kelkh to his wife, stands apart. The rest of the famous eight Fabergé eggs were custom-made for Felix Yusupov, Emmanuel Nobel, the Rothschilds, the Duchess of Marlborough and unidentified individuals. They are not as luxurious as the imperial ones, and they are not unique, they often repeated already invented for royal family. Having received the patronage of the royal family and the title of “jeweler of His Imperial Majesty and jeweler of the Imperial Hermitage”, the Faberge firm became famous in Europe. Many relatives of the imperial family in Great Britain, Denmark, Greece and Bulgaria received items as gifts. In 1900, in Paris, Faberge received the title of "Master of the Paris Guild of Jewelers", and he was also awarded the Order of the Legion of Honor. The war of 1914 significantly undermines the financial affairs of the Faberge company. In 1917, after the beginning of the soviet revolution, the Faberge family completely stopped production and went to immigration to the city of Riga, then moved to Switzerland.Carl Faberge died in 1920 in Swiss city of Lausanne.
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