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N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.
N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.

N.V. Alekseev. Silver glass holder in cloisonné enamels. Moscow. The turn of the 19th and 20th centuries.

ID-ANTQ-8549
November 30, 2024 12:00 PM GMT+02:00
Live auction is finished
Estimate
1000 - 2000 EUR
Lot Sold
 
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Festive silver glass holder in cloisonné enamels by Nikolai Vasilievich Alekseev. Moscow. The turn of the 19th and 20th centuries. Cylindrical in shape, on a glass-shaped base with gilding inside, bravura floral enamels on the body and a perky rectangular handle on the scroll. Moscow hallmark of 88 silver samples from 1899-1908, assay master Ivan Sergeevich Lebedkin and the authors monogram of Nikolai Vasilyevich Alekseev - ON in a rectangular shield. Height: 9.1 cm. Weight: 0.3 kg.
Art:
russia
Height:
9.1 cm
Width:
9 cm
Depth:
8 cm
Period:
At the turn of 19th -20th century
Style:
Neo-Russian
Country:
Russia, Moscow
Material:
Silver 88, Cloisonné enamel, Gilding
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Neo-Russian style.
 The neo-Russian or pseudo-Russian style is part of the aesthetics of historicism and national identity of the 1815-1880s. It arose as an official position and an internal response of society to the victory of 1812. Concerned about all types of artistic creation, social and philosophical life of society. Determined the type of official architecture, private brick ward architecture, historical graphics and painting, the theme of decorative and applied art. The formation of the style is associated with the question of the originality of Russian history, developed by the Slavophiles. The main forms and techniques of decoration are borrowed from wooden architecture. Geometric definiteness and ethnographic fragmentation of the decor prevail. The style was especially popular in silver. Ladles, brothers, saltcellars in the form of thrones-towers, etc. expanded the range of Russian craftsmen of the second half of the 19th century. The neo-Russian style became a stable form of thought for most of the 19th century until the advent of modernity. ... Read More
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