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Yuli Yulievich Klever. Pine forest after rain. 1895
Yuli Yulievich Klever. Pine forest after rain. 1895
Yuli Yulievich Klever. Pine forest after rain. 1895
Yuli Yulievich Klever. Pine forest after rain. 1895
Yuli Yulievich Klever. Pine forest after rain. 1895
Yuli Yulievich Klever. Pine forest after rain. 1895
Yuli Yulievich Klever. Pine forest after rain. 1895
Yuli Yulievich Klever. Pine forest after rain. 1895

Yuli Yulievich Klever. Pine forest after rain. 1895

ID-ANTQ-6040
May 7, 2022 10:00 AM GMT+03:00
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Estimate
15000 - 20000 EUR
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A rare landscape for Julius Klever, executed in the manner of Shishkin, illustrating the highest skill and stylistic flexibility of the artist. Pine Forest after the Rain focuses the viewer on a secluded corner of a mighty forest snatched by light and on a tangent given road. The center of attention is the diffuse atmosphere of a fresh, sun-warmed, fragrant forest. The puddle and its reflection are a romantic pledge. The graphic precision of the details creates a symphonic, albeit almost monochrome, flavor, in tune with the strict and majestic grisaille. Signature in the lower left corner. Oil on canvas. 56x80 cm. 1895
Art:
russia
Height:
78 cm
Width:
105 cm
Depth:
10 cm
Period:
Late 19th century
Style:
Realism
Country:
Royal Russia
Material:
Canvas, oil
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

YULIY YULYEVICH KLEVER
 Yuliy Yulyevich Klever was a Russian painter and one of the most prominent representatives of salon-academic landscape painting in the second half of the nineteenth century. An Academician and Professor of the Imperial Academy of Arts, he combined an effective exhibition strategy with a romantic interpretation of nature, achieving recognition from the public, the artistic establishment, and the Imperial court. ... Read More
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