HARDSTONE FIGURE “BOYAR”. FABERGÉ ST PETERSBURG, WORKSHOP OF PYOTR KREMLEV, 1915–1917

In 1915, a dedicated hardstone workshop was established in Petrograd at 44 English Embankment, under the direction of Peter Mikhailovich Kremlev, a master of the Yekaterinburg school of carving. Staffed by around twenty artisans — carvers, sculptors, polishers, enamellers and assemblers — the workshop became the nucleus of what later came to be known in Western scholarship as the Verfel–Kremlov school of hardstone figures, famed for its realistic yet decoratively nuanced portrayals of Russian folk types.

The present figure of a “Boyar” ranks among the most important creations of this tradition. Archival sources indicate that a larger version of the same composition (height 15.2 cm) was first executed around 1910 for Emperor Nicholas II. It later belonged to Agathon Karlovich Fabergé and was sold in England in 1939. In keeping with the firm’s strict policy of non-replication, the present smaller version (height 6 cm) is considered an original chamber-scale variation. Its creation is dated to 1915–1917 and is attributed to the hardstone workshop under Kremlev’s leadership.

The Boyar figure is part of an elite series of miniatures commissioned by Emperor Nicholas II. His collection included representations of a Carpenter, Janitor, Nursemaid, Woman on Her Way to the Bath, Soldier on Duty, and Court Cossack Kudinov, as well as the present Boyar. These sculptures, crafted from jasper, jade, chalcedony, cacholong, flint, silver and enamel, exhibit masterful modelling, delicate detailing and exceptional artistic finish.

The iconography of the composition likely draws from the operatic character in Modest Mussorgsky’s Boris Godunov, a favourite of the Imperial court. The stylised pose, formal costume and psychological presence are emblematic of late Fabergé works influenced by Russian historicism and theatre.

Auction precedents confirm the rarity and value of this type. On 20 April 2005, Sotheby’s New York sold a comparable Boyar figure (St. Petersburg, c.1910, height 5.2 cm) for $1,808,000 (Lot 44), exceeding its $600,000–800,000 estimate — one of the highest recorded prices for Fabergé hardstone sculpture.Technically, the figure is a multi-component construction executed in Kalanivka and Orsk jasper, jade, cacholong, flint, silver and glazed enamel. Each material was selected for its colour harmony and symbolic resonance: jasper for endurance, jade for wisdom, cacholong for spiritual purity. The face and hands are carved with painterly precision, attesting to the work of highly skilled Fabergé artisans.

The original leather case with silk lining and the gold-embossed stamp “FABERGÉ — ST. PETERSBURG, MOSCOW, LONDON,” along with the Russian Imperial arms, confirms the prestige of this commission. Archival and museum records show that such cases accompanied Fabergé works destined for the firm’s London salon or high-level diplomatic presentation.

This Boyar figure thus represents not only a rare and refined example of Fabergé’s hardstone school, but also a cultural artefact of late Imperial Russia. Confirmed by archival, stylistic, and technical analysis, it belongs to the highest category of museum-worthy and investment-grade Fabergé works, highly prized by collectors and institutions worldwide.

In good collectors condition. Minor signs of handling consistent with age. All elements of the composition are intact. The original case is preserved in condition appropriate to its period of manufacture.

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.