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I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.
I.A. Sumin. Agate, carved miniature Hare.

I.A. Sumin. Agate, carved miniature Hare.

ID-ANTQ-6490
8000 EUR
Sold
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А.И. Сумин. Агат, резная миниатюра Зайчонок, в оригинальном футляре. Представляет собой фигурку животного, стоящего на лапах. Сладко подняв голову, с приплюснутыми ушками, она сверкает маленькими бриллиантами глаз. Высота: 4,5 см. СУМИН Авенир Иванович, владелец ювелирной мастерской с 1869 г. (умер в 1913 г.), а с 1908 г. - сибирско-уральских камней. Он неоднократно поставлял ко двору камнерезные изделия и проводил реставрационные работы. В 1910 г. С 1910 г. держал магазин на Невском проспекте, 60.
Art:
russia
Height:
8 cm
Width:
8 cm
Depth:
3 cm
Period:
At the turn of 19th -20th century
Country:
Russia, St. Petersburg
Material:
Agate, Diamonds
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

RUSSIAN HARDSTONE CARVING ART
Russian hardstone carving art emerged as an independent branch of the decorative and applied arts on the basis of the Ural tradition of hardstone working and reached full maturity at the turn of the nineteenth and twentieth centuries. During this period, stone was established as the principal bearer of the artistic image, while sculptural miniatures and decorative plastic works attained museum status. A decisive role in the institutionalization and artistic consolidation of this field was played by major artistic and industrial centers, above all the hardstone carving production system of Fabergé. ... Read More
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