MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890
MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890

MOUNTAIN CRYSTAL BOWL WITH GOLD MOUNT BY FABERGÉ SAINT PETERSBURG, 1880–1890

ID-ANTQ-12296
22500 EUR
Add to cart
Request more info
Guarantee of Authenticity

At Antiqon ART, we build trust and value your choice. Every purchase of art and antiques with us is an investment backed by our expertise, reputation, and a 100% authenticity guarantee.

Price History

Discover how the value of similar works has evolved over the past 10 years. Art is not only beauty — it's an investment.

Complimentary Shipping & Returns

Antiqon ART offers free packaging, insurance, and delivery for most items purchased through the company. Exceptions include large and oversized items that require specialized packing and shipping.

An exquisite example of Russian decorative art of the late 19th century, crafted in the workshop of Carl Fabergé. The bowl is carved from a single piece of colorless rock crystal in the form of a coquille shell, with elegant natural asymmetry and a soft curl at the top. The surface is worked with the finest relief grooves, enhancing the fluidity and organic lightness of the form.

The vessel is set on an oval foot made of the same crystal, resting on a decorative openwork base with gold accents. The mount is crafted in 14K gold (585 standard), adorned with a typical Fabergé frieze of stylized oval pearl motifs, emphasizing the piece’s connection to the firms highest goldsmith traditions. This refined interplay of material, form, and technique demonstrates the exceptional artistic and technical level of execution.

Marks: 56 gold standard (14K); Saint Petersburg assay office mark – a woman’s head in kokoshnik facing right; Cyrillic ФАБЕРЖЕ (FABERGÉ) in an oval, corresponding to items produced by the Saint Petersburg branch of Fabergé between 1882 and 1899.

Dimensions:Height – 14.5 cmBowl – 16.5 × 10 cm

Weight: 464 g

Materials: Rock crystal, 14K gold (585 standard)

Condition: Excellent museum condition

Provenance: Collection of Countess Fink von Finkenstein-Brinckam

Art:
russia
Height:
14.5 cm
Width:
16.5 cm
Depth:
10 cm
Period:
Late 19th century
Style:
Classicism
Country:
Russia
Material:
Gold 56
Condition:
Revive
Fair
Good
Very good
Like new
he second half of the 19th century marked a golden age for Russian applied arts and the rise of firms serving the Imperial Court. By the 1880s, Carl Gustavovich Fabergé (1846–1920) had become a symbol of refined taste, innovation, and craftsmanship, combining historical traditions with progressive material treatment. Special prominence in his workshops was given to items made from hardstones, including rock crystal, jade, chalcedony, and agate, often enhanced by exquisite gold mounts.

This development was largely enabled through collaboration with Karl Fyodorovich Werfel, a talented stone-carver and owner of a bronze-cutting factory, who became a Supplier to the Imperial Court in 1895. Werfel held monopolistic rights to jade mining in Siberia and access to the finest varieties of rare minerals, including iridescent agates and smoky quartz. His workshop was known for precision carving and flawless execution, forming an ideal partnership with Fabergé’s jewelry ateliers.

Fabergés stone-cutting creations, produced in conjunction with Werfel, were highly sought after by European aristocracy and the Russian imperial family. Their elegant organic forms and the pairing of noble materials made such pieces worthy of palace interiors and collectors cabinets.

This bowl gains particular historical significance from its provenance: it belonged to Countess Fink von Finkenstein-Brinckam, a member of one of the oldest noble families of Prussia, documented since the 13th century. The von Finkenstein family held high-ranking positions at the royal court, including chancellors and governors of East Prussia. A prominent art patron and connoisseur, Countess Fink von Finkenstein-Brinckam was part of the European aristocracy whose taste shaped the art market of the early 20th century. Her collection was renowned for its refined selection of imperial Russian works, acquired from leading auction houses and court suppliers. This bowl thus stands as both a jewelry masterpiece and a culturally significant artefact with noble European provenance.

The piece is preserved in exceptional museum condition. Natural horizontal bands typical of rock crystal, known as “curtains,” are visible inside the bowl, confirming the authenticity of the material. No signs of restoration, chips, or cracks were observed.


The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Faberge (1872–1917)
FabergeFrance is considered to be the birthplace of the Faberge family. In 1800, Pierre Faberges grandfather Carl Faberge moved to Pernau, in Livonia (the Russian province of the Baltic), where he received Russian citizenship. In the following years, the son of Pierre Faberge, Gustav Faberge, an ambitious young jeweler, decided to move to St. Petersburg where he continued to engage in jewelry On May 30, 1846, Carl Faberge was born into the Faberge family, at that moment his father was already heading a successful business in which several craftsmen from Northern Europe and Germany worked. At the age of 18, Carl Faberge travels to Europe to learn jewelry craft from the best professionals of that time. Throughout his stay, he explores the decorative arts created by his predecessors, imbued with new ideas that will fuel him for the rest of his career. In 1872, Carl Faberge returned to St. Petersburg and joined his fathers business. In 1882, after the death of Gustav Faberge, Karl took over the management of the company. In a short time, Karl surpasses the achievements of his own father: in the same year he receives the official title of master of jewelry, and the exhibition in Moscow leads to the fact that the Emperor Alexander III notices Faberges talent, who soon elevates to the rank of court jeweler. At this time, Faberge received his first order from the monarch: the emperor orders Easter gift for his wife, Maria Feodorovna, an original gift of a piece of jewelry and of art - an Easter egg, which became the beginning of a series of Faberge Easter eggs that imperial family ordered yearly. The Empress was so fascinated by the gift that Fabergé was turned into a court jeweler, he received an order to make an egg every Easter ; the product had to be unique and contain some kind of surprise, that was the only condition. The next emperor, Nicholas II, kept this tradition, each spring giving, two eggs as a gift - one to Maria Feodorovna, his widowed mother, and the second to Alexandra Feodorovna, the new empress. The production of each egg took almost a year. As soon as the sketch was approved, a whole team of the firms jewelers took over the work, the names of some of them survived. The contribution of the master Mikhail Perkhin is especially great. Also important jewelers were August Holstrom, Henryk Wigstrom, Eric Collin. The series of imperial eggs had such fame and success that the Fabergé company made several products for private customers (15 are known). Among them, a series of seven eggs, presented by the gold miner Alexander Ferdinandovich Kelkh to his wife, stands apart. The rest of the famous eight Fabergé eggs were custom-made for Felix Yusupov, Emmanuel Nobel, the Rothschilds, the Duchess of Marlborough and unidentified individuals. They are not as luxurious as the imperial ones, and they are not unique, they often repeated already invented for royal family. Having received the patronage of the royal family and the title of “jeweler of His Imperial Majesty and jeweler of the Imperial Hermitage”, the Faberge firm became famous in Europe. Many relatives of the imperial family in Great Britain, Denmark, Greece and Bulgaria received items as gifts. In 1900, in Paris, Faberge received the title of "Master of the Paris Guild of Jewelers", and he was also awarded the Order of the Legion of Honor. The war of 1914 significantly undermines the financial affairs of the Faberge company. In 1917, after the beginning of the soviet revolution, the Faberge family completely stopped production and went to immigration to the city of Riga, then moved to Switzerland.Carl Faberge died in 1920 in Swiss city of Lausanne.
... Read More

Stay up to date with new arrivals
Save Objects of Vertu and we let you know when new listings appears in this category
Save

Related items