Russian silver candy bowl. St. Petersburg 1837
Russian silver candy bowl. St. Petersburg 1837
Russian silver candy bowl. St. Petersburg 1837
Russian silver candy bowl. St. Petersburg 1837
Russian silver candy bowl. St. Petersburg 1837
Russian silver candy bowl. St. Petersburg 1837
Russian silver candy bowl. St. Petersburg 1837
Russian silver candy bowl. St. Petersburg 1837

Russian silver candy bowl. St. Petersburg 1837

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Estimate
150 - 200 EUR
Current Bid
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Discover how the value of similar works has evolved over the past 10 years. Art is not only beauty — it's an investment.

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Russian silver candy bowl of the transitional Empire era into eclecticism by the Finnish master of St. Petersburg Tamas Sokhka. 1837 Retains the compositional clarity and bravura of the Empire style, but in the flower garlands and acroteria of the handle fixtures, a different era can be discerned - the emerging historicism. Thomas Sokhka 1804-1865 - known in St. Petersburg as a Finnish master since 1836. Brands of the master - TS. City hallmark of St. Petersburg 1814-1864. 84 standard silver. The mark of the unknown assay master DT in 1837.

Weight: 224 gr.

Art:
russia
Height:
8.5 cm
Width:
12 cm
Depth:
15 cm
Period:
19th century
Style:
Eclecticism
Country:
Russia, St. Petersburg
Material:
Silver 84, Gilding
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Eclecticism. Historicism.
Eclecticism or Historicism is an era of historical quotations, where the slogan "Smart Choice" meant the selectivity of the best and the most appropriate for a specific case and task. Has consistently survived (with national variations): Neo-Greek, Neo-Gothic. Second Baroque. Pompeian style, Ottoman style, Neo-Romance, Neo-Renaissance, Neo-Byzantine and in particular Neo-Russian styles; and ends with a distinctive fusion of the time of Napoleon III. As a rule, it assumes a basic consistency of the classicist basis and baroque decor. Works with measure and proportions of styles in one piece. Offers a finely aged cocktail of various ingredients. Got a vivid embodiment in architecture, furniture and arts and crafts, and in the interior.
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